Comparison Study of the Decorations on the bronze sculpture

 

Grain patterns are placed on one dazzling spin move, and that this mode is also the depth of psychedelic neuropsychological characteristics. In the northeast the Hongshan culture, the most striking is the jade in the “hook jade cloud” and is called “Dragon,” a fantasy animal-shaped jade, two types of objects shape or decoration has emerged a strong spin dynamic characteristics, and neuropsychological status of the third stage of the depth of the psychedelic match, also speaks with the shaman enters a state of consciousness psychedelic experience is very similar to. The bronze sculpture consists of a crane and a tortoise with the former standing on the back of the latter.  This is another proof of Mr. Zhang Guangzhi Shamanism in the presence of prehistoric China is a very correct inference.
This model will test the Shang and Zhou bronze sculpture decoration with more, we find that most of the decoration and neuropsychological characteristics described are surprisingly consistent. Not only the image of some real animals can be explained, other so-called “fantasy” animals can be reasonably deciphered. According to Chinese legends, the crane signifies ever green while the bronze statue sculpture signifies longevity that restores youth in the aged. This is the same number of scholars on this issue also does not contradict the inference. For example on taotie, many scholars believe that it is the reality of the prototype should be in the animals, cattle, sheep, swine, etc, from the image can be vaguely recognizable. But then why should people have a kind of realistic animal model depicted people illegible monster form, we have little guidance, or just generally call it the “mythical creature”, that they are real animals the myth of the results.
Based on the reality that people in the creation by the subjective consciousness and the image processing to turn them into a strange look on. The strange thing is that this type of decoration, no matter how the ever-changing, it is never without the most basic structural change allows us to identify unambiguously, We are facing the same decoration motif. This implies that we are the imagination of the decoration is not reproduced, but the objective of a real-life situation described. On the one hand the chinese bronze sculpture implies longevity and one the other it suggests love with the crane as female and the tortoise as male. We believe that, from the neuropsychological point of view, you can see, the shaman enters trance state, when, to experience varying degrees of awareness of the depth of deformation, in this changed consciousness, they will see deformation of people, animals and so on.
Therefore, taotie represented Shang and Zhou bronze dragon decoration is on the fantasy magic of the shaman in the state of deformation experienced by the objective description of the animal, it confirmed from another angle, Mr. Zhang Guangzhi animal patterns on the bronze Shamanism and the judge is justified. As for the love, it is said the turtle bronze sculpture is male while the crane is female crane, meaning the newly married couple is a good match as if made by Heaven.  In other words, these animals are truly inspired shaman’s assistant, in the shaman speaks of the process, they are either retained the original image of the real animals, or depth into the deformation in the psychedelic state. Mentioned above, the depth of the shaman’s trance state, the human race, the monster’s image appears clear and true, and geometric images are scattered to the edge, it becomes the background image.
We found that this description with a number of bronze decoration is also very consistent: many decorated with chinese bronze ornamentation on animals, there is a return to form, vortex, poor music, thunder cloud, triangle, parallel lines, and geometric patterns to the background pattern, and some decorative pattern in the upper and lower edges of the main animals (Figure VI). 30 31 Maple: “revolving lines of,” “Liaoning Provincial Museum, Museum Journal,” first series, Liao Sea Press, 2006. On this point, Miss Zhou Xiaojing in the “Hongshan culture jade creative ideas and use function-based research” (“Liaoning Provincial Museum Museum Journal,” first series, Liao Sea Press, 2006) an article has a special discussion. This bronze sculpture is a miniature of the court mascot in Ming Dynasty.
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